The Dallas Coloring Book Experiment

The Dallas Coloring Book Experiment

To design a place with consideration, the design allows some things to be left to chance. Lines and edges are created that can encourage subtle adaptations. Instead of deciding every experience, there are moments for the unexpected. A designed landscape is an interpretation of a place that can be offered back to its community to be adopted as their own, and to be reinterpreted through lives and stories. In a dramatic shift of scales, a designed landscape is almost like the drawn black lines of a coloring book; it beckons to be altered and re-imagined by those who confront it with pens and pencils.

On September 6, 2015, Outsider Gwendolyn McGinn, and her partner, Isaac Cohen of buildingcommunityWORKSHOP, debuted The Dallas Coloring Book Experiment at the first Dallas Zine Party.  

The Dallas Coloring Book Experiment is a series of coloring books. They contain a collection of drawings which present different interpretations of the city. Each edition of the coloring book takes a slightly different approach to what “coloring book” means with drawings that are meant to be interacted with, colored, cut, and reimagined. Part coloring book, part interpretation of a city, part collected histories of a place.

TDCBE is an experiment in alternate ways of engaging the city. Instead of drawing projected futures, TDCBE presents line drawings of the people and places that form the city. Collections of street corners, sidewalks, and signs begin to form a visual documentation of vernacular structures of the city. Places that we see everyday, are illustrated and layered to present the memories of a place instead of a perfectly drawn architectural record of a place.

By seeking drawings from many artists and designers, The Dallas Coloring Book Experiment begins to form a collective story of Dallas created by those who inhabit it. The act of drawing and coloring one’s own city begins to form conversations of what the city is, and how else it might be imagined. The act of drawing the city presents an appreciation of the places where lives are lived and stories are told. While Reunion Tower and other iconic emblems of Dallas might tell the story of Dallas to some, its sidewalks and bus stops have deep stories of their own. 

The first series of The Dallas Coloring Book Experiment included drawings from several Outsiders. A selection of their drawings are included below. As a studio there are times for serious critical engagement, and times to playfully express the world around us. Through lines we can depicts unfinished places, and share them for others to make into their own. 

Outsiders Celebrate Revolutionary 'Bastille Day' in Bishop Arts District

A slight breeze alleviating the oppressive heat. Laughter and the sound of people humming songs from ‘Les Mis’. Wine glasses as far as the eye can see. Le Tricolore hanging from every ledge.  This is Bastille on Bishop, 2015.

Bastille Day, or La Fête nationale, is a celebration of the symbol of the French Revolution: the overthrowing of Bastille prison in medieval France. In Paris, this historic day is marked with the nation’s largest parade. In Dallas, we go to the Bishop Arts district to enjoy some of the wonderful aspects of French culture: namely food, wine, and le marché. Bastille on Bishop is located near where La Réunion (a colony founded on the ideals of French philosopher François Fourier) was settled, just a few miles away from our beloved Reunion Tower, now known as the Bishop Arts District.

As lovers of culture and social spaces, it’s no surprise that about half of our office attended the festival. When we finally found parking, we were led to the festival by men and women in full ‘French’ attire –Breton striped shirts, red berets, and neck scarves. The streets were filled with people enjoying the open-air market. In the middle of the block, crowds of people were watching teams playing petanque – a French game that involves tossing a boule (ball) as close to the conchonnet (a wooden ball inside a circle) as you can. 

Though the mood was fun and imaginative, we were brought back to reality as we saw the line of protesters down the main street: ironic for a festival that was celebrating the people’s victory over government. Their signs pleaded with the crowd to help the community preserve the culture of the spaces that we were all currently enjoying. With the rezoning of Oak Cliff on the horizon, and Dallas as a whole moving towards denser development regulations, people are stepping up to protect their neighborhoods. Festivals like Bastille on Bishop serve as a good reminder to those of us that call the city home – we must find a way to marry the preservation of culture and the benefits of smart development. Integrating the past, present, and future is a difficult task, but with communities as passionate as this, I have no doubt that we will get to enjoy the Bishop Arts we know and love for years to come. 

Photographs by Raylen Worthington (color) and Charlie Pruitt (b&w)